Words and Photography by Shirin Hodgson-Watt
Ah, good lord, who would have thought that so far into my dotage it was still possible to feel the same kind of rush from a band that I used to get aeons ago in the dim and rapidly fading past, back when my fledgling metal feathers were first starting to sprout? A diminutive pub, smack bang in the midst of studenstville in Plymouth, might seem an unlikely setting for such a renewed sense of improper vigour, but believe me, it happens.
The night opened with an impressively tight set from local teens Black Leaves of Envy. They were perhaps a little uncertain initially, but I reckon theyโll soon lose that slightly coy edge as they were fully engaged and on top of their game, solid and well rehearsed, with some quite remarkable thundering bass (to these non-expert ears) from frontwoman Cerys Plenty. Most definitely a band Iโd go out of my way to see again.

Although woefully under attended (Iโm blaming the fact that the university has shut up shop for summer, for it would be the only forgivable explanation for this), and beset initially by repeated technical glitches, Courtesans rapidly took charge of the almost comically small stage, drawing the audience close for an intense, tribal, intimate hour, cherry picking tracks from the album โ1917โ and recent EP, โBetter Safe Than Soberโ (along with a brand new track, which my hazy memory is calling โPlagueโ, so if it isnโt… It should be), for what was effectively a warm up for the bandโs appearance the following day at Amplified Festival.

Courtesans are one of the most exciting bands Iโve stumbled across in far longer than Iโd care to admit, and I canโt believe there will be too many chances left to see them in such modest surroundings; take that chance while you still can. That such a powerful, magnetic performance was witnessed by anything less than a rammed-to-the-rafters crowd is nothing short of criminal; Plymouth, youโre on your final warning.
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