

Julian Laws
A Popular Music (Falmouth University) graduate currently based just outside of Bristol. A voracious reader, meticulous Letterboxd reviewer and lover of all things music. Consistently championing often ignored upcoming artists from Cornwall and the South West music scene to show what amazing talent can be found outside of the big cities!
Berlin jazz group Moses Yoofee trio brought their incredible new album ‘MYT’ to Bristol’s Strange Brew
Jazz outfitย Moses Yoofee trio haunted and probed listeners’ souls with an alchemy of keyboard samples, expert drum playing and yearning, tasteful guitar and bass parts at Bristol’s Strange Brew.
The venue was lit up with the electric jazz fusion fervour ofย Moses Yoofee Trioย touring their latest albumย ‘MYT‘, allย to a sea of people in a sold-outย Strange Brewย that ebbed and flowed with the immense tunes that poured from the stage.
Noah Fรผrbringer’s drums, bedecked with a spiral stacker cymbal, face-smacking snare and innovative drum pad hypnotised listeners into a trance-like state. A sense of awe was palpable amongst the crowd – people knew they were witnessing three talents that begged the question โHow on earth did they pull that offโ?ย
Moses Yoofeeโs keyboard interplay with the drums and bass illuminated the band’s unmistakable connection and cohesiveness – sometimes parts were following one another – a high piano part mirrored in the bass, a rapid tom-fill echoed in a โsample stateโ on the keyboard.
Other times, Yoofee’s keyboard was in a musical league and avenue of its own, carving its own path – headstrong, dramatic, yet sometimes feeble, melancholy, always satisfying the listeners desires by effortlessly bringing the songs to a build or a crescendo. Reinstating the listeners sense of place in the song after stumbling in confusion to where the 1 was or what tempo the song was in.
The trio never tired and achieved what jazz is all about, opening songs with easy hooks and melodies to follow but quickly exploring the scales, voicing, dynamics and phrasing of what those melodies can offer.
The blue hue that drenched the stage for the final song, โOCEANโ, had an ethereal quality, like exploring the unknown masses of the ocean. The music underpinned this feeling by using sample sounds from the drum pad that were alien-like, industrial, echoing and reverberating around the hull of the listeners’ souls – achingly asking them to search within them.
The repetitive high-octave keyboard parts that sounded like the intermittent beep of a satellite orbiting the earth, were established by a bass that felt as if it had travelled from the depths of space primarily to reach the drums and piano – urging them to prominence.
Moses Yoofee Trioย did not disappoint; their talent is something to study, demeanor something to emanate and passion something to seek.
Listen to ‘MYT’ here:
Discover more from Clunk Magazine
Subscribe to get the latest posts sent to your email.

You must be logged in to post a comment.