Bsoton Manor Cover
Out now via Pure Noise Records

Rating: 6.5/10


By Luigi Sibona

Itโ€™s been a great year for British bands blowing the notion of the โ€˜difficult second albumโ€™ out of the water. While Boston Manorโ€™s sophomore full-length isnโ€™t making quite the same strides that Trash Boat, WSTR and Black Peaks are, itโ€™s a solid progression of their sound and style.

Style is the resounding factor of this record, itโ€™s drenched in it. There is a sleazy sensuality to the sound of โ€˜Welcome to the Neighbourhoodโ€™ that permeates every minute spent with it. From the opening synthed up instrumentation of the title track thereโ€™s a real sense of noir-soaked cinematic stalking. A sonic motief that matches up perfectly with the albumโ€™s threatening, monochrome cover art.

From track two, โ€˜Flowers in Your Dustbinโ€™, youโ€™re brought up to speed with the records other big hook; soaring, inescapable chrouses. Boston Manor have come packing an enviable amount of instantly infectious vocal melodies. Following up with lead single, โ€˜Haloโ€™, this albumย opens up in a big way.

Watch the video for โ€˜Haloโ€™ here:

Cuts like โ€˜Digital Ghostโ€™ have a vague whiff of Deftones influence to them when vocalist, Henry Cox, lets his airy vocals fly. A pretty ambitious point of reference from a band coming firmly from the pop-punk scene. Tracks like โ€˜Hate Youโ€™ and โ€˜Englandโ€™s Dreamingโ€™ hit with a bit more gusto than others but this serves as something of a double edged sword, showcasing where the synthy, pop-focused production detracts from the song. A surprising element when you take into account how deck wizard, Mike Sapone, has been a reliable hand at layering the right amount of crunch into an emo record with past efforts for Taking Back Sunday and Brand New. I canโ€™t help but feel a little more grit in the guitar tone and a meatier mix would have made these tracks standouts. As it is, they sit comfortably, if safely in the running order.

They donโ€™t quite run out of steam in their 13 song, 43 minute outing, saving personal favorite, โ€˜Stick Upโ€™ for the penultimate track. With its sense of sexy swagger and radio-ready hook, โ€˜Stick Upโ€™ showcases what Boston Manor do best on โ€˜Welcome to the Neighbourhoodโ€™; a bouncy pop sensibility with just enough shadow-cloaked danger to keep you guessing.


 


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