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Out now

Rating: 9/10


By Shirin Hodgson-Watt

I love Oโ€™Deus, and I really loved Ryan Katz as a frontman, so I was uneasy when I heard heโ€™d departed the fold and that they were on the lookout for someone to step into his pretty intimidating shoes. However, I was curious also, as I had a hunch they were far too smart a band to screw up the tricky transition to a new vocalist, a hunch they soon gratifyingly lived up to. Their decision to opt for Amy Abbott was genuinely inspired, preventing obvious lazy comparisons to Katz, whilst also proving them to be boldly open minded about where their next chapter might lead them.

โ€˜Seven Cycles Downโ€™ straddles the old and new with aplomb, the connection to the bandโ€™s past incarnation rock solid (daringly illustrated by their reimagining of โ€˜Culture Vultureโ€™ and โ€˜Space Fireโ€™ from the โ€˜Code To Livingโ€™ EP, rendered gleamingly anew by delicious dark sorcery into โ€˜Wastelandโ€™ and โ€˜Into The Zionโ€™, the latter expanding upon the Warrior Soul-esque trippiness that I fell so utterly headlong in love with first time around. Which means theyโ€™re now indulging me with two entirely different sides to the same magical coin, which, as Iโ€™m very greedy, quite honestly made my day, and is still making it every time I listen to it.

The comforting familiarity of their lolloping stoner / grunge riffs of yore hits like a perversely welcome tidal wave, riding an undercurrent of reassuringly old school bluesy rock nโ€™ roll, via the occasional flash of a less-fury fuelled Rage Against The Machine (well, they are from Cornwall), while Amyโ€™s strong but clear vocals add a new and exciting dimension to the bandโ€™s sound across the six tracks on offer here.

I was always disappointed to have only caught Oโ€™Deus (version: one) live once; Iโ€™m dearly hoping I can do a whole lot better with version two. โ€˜Seven Cycles Downโ€™ beckons all-too seductively to somewhere hitherto unknown that I desperately want to go.


 


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