
George Ward
Freelance journalist and online editor for CLUNK. Can be found out and about in Bristol, finding cheap records or having a pint on King Street.

Label: Krautpop
The first thing you will notice about ‘The Vault‘ is just how bright it is. Many bands feel the need to take themselves so seriously that their debut ends up sounding dull, forced and unnecessarily sincere. Bristol group Factor 50 have gone for a different approach: keep it simple but do it well. The result is 5 joyous indie bangers that sound just as good in the studio as they do live.ย
First up is last yearโs single โChipsโ. Arriving at the end of the summer, โChipsโ dropped at the perfect time; its romantic lyrics and sunny instrumental cured any post-summer/post-festival blues we might have had and secured Factor 50 as ones to watch in the indie scene. Eddie Akersโ vocals are full of love-struck innocence and Tom Oliverโs sax outro is gorgeous.ย
This innocence is found throughout the whole EP and it gives the project a real character and charm. Even with heavier cuts like โMarxist Morrisseyโ, the lyrics are filled with teenage angst and little rebellions. Other bands singing lines like โmy dad says I donโt listen to anything he tells me and itโs trueโ might come across as forced, but Akersโ vocal performance is filled with so much sincerity and passion that you end up rooting for his character, with a smile on your face.
The sound of the EP twists and turns throughout, from sweet indie pop to punky indie and, with each of these twists, every member commits fully. Akers sounds equally good singing of a teenage crush as he does yelling with everything he has on โGoodโ.
This track is the highlight of โThe Vaultโ. The chorus, the catchiest of their whole discography, is insanely loveable, with the vocals firstly backed only by Zach Kendallโs pumping bass and Tom Oliverโs jagged guitar stabs. It is a great example of Factor 50โs charm; cowbells, fun effects and a singalong bridge all make an appearance.ย
For a first project, Factor 50 are sounding incredibly tight. The rhythm section, made up of Zach on bass and Billy on drums, hold the group together, with a particular highlight being โStopโ. Both the bass and drums really have a chance to shine here; they are full of confidence and mixed perfectly.ย
โThe Vaultโ shuts its doors with โSpecial Cuddleโ, slowing the pace but losing none of the energy. And, just when you think there couldnโt be yet another catchy chorus, they deliver once again. Lines like โIโm stuck inside your TV, making funny faces with my breath on the screenโ are full of character and are equally as fun as they are slightly manic and unhinged.
This track leaves us with a reminder of all of Factor 50โs best qualities. The effects on the vocals, bass and guitar create a dreamy atmosphere in the verse while heavily distorted guitar riffs, twinkling synths from Patrick Welsh, and a monstrous bassline build into a massive finale. Every member shines here, from the playful synthline to yet another passionate vocal performance and it rounds off the project perfectly.ย
Catch Factor 50 live. Their energy is unmatched in the current indie scene and, if you still need proof of this, take a listen to this EP. It is a sunny, confident and youthful EP bursting with character and it makes me very curious about which of their many sounds they decide to pursue next.
Listen to ‘The Vault’ here:
Catch Factor 50 at the following:
The Underground, Plymouth – 14th April
The Cavern, Exeter – 15th April
Outer Town Festival, Bristol – 16th April
The Victoria, London – 18th April
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